Beatboxing in choral music: Perspective case study exploring the use

of vocal percussion in the small vocal ensemble

 

 

CONCLUSION​

 

In this multiple-case study, the author presented the opinions and perspectives of beatboxers, vocal ensembles, and composers that have experimented, performed, or had experiences with vocal percussion in choral music.  The ideas and issues presented in this paper demonstrated that beatboxing is an integral part of twenty-first century a cappella choral music.  The current definition of beatboxing may have started in hip-hop culture with the emulation of the electronic drum machine, however the use of beatboxing in choral music has transformed the vocal ensemble by bringing forth a percussive sound that completes the human voice.  All over the world, music from various cultures have infiltrated, impressed, and influenced new sounds, rhythms, and tonalities.  Creative people find ways to transform the direction of music.  Through the dedication and sharing of techniques of beatboxers globally, a multitude of resources are provided as pedagogical tools for the instruction of future beatboxers.   Classrooms and ensemble rehearsals are rejuvenated and transformed into environments that teach, learn, and appreciate rhythmic elements in a new context, potentially inspiring individuals to investigate the artistry of beatboxing.  An individual that is interested or motivated to become a beatbox will find a way to learn, practice and dedicate their time to learn the craft.